audio device on high definition audio bus

 

Caché (film)

Caché
Directed by Michael Haneke
Produced by Veit Heiduschka
Written by Michael Haneke
Starring Juliette Binoche
Daniel Auteuil
Maurice Bénichou
Music by None
Cinematography Christian Berger
Editing by Michael Hudecek
Nadine Muse
Distributed by Artificial Eye
Sony Pictures Classics
Release date(s) October 5, 2005
Running time 117 min
Country France/Austria/Germany/Italy
Language French
Budget €8,000,000 (estimated)

Caché (marketed as Hidden in the United Kingdom, Ireland, Australia and New Zealand) is a 2005 French-language film, written and directed by Austrian filmmaker Michael Haneke. It stars Daniel Auteuil as Georges and Juliette Binoche as his wife Anne. It is the first film in which Haneke used high-definition video cameras. It has no film score.


Plot

Georges (Daniel Auteuil) is a successful host of a TV program about books, who lives with his wife Anne (Juliette Binoche), a book publisher, and their son Pierrot (Lester Makedonsky). The family's comfortable bourgeois life is threatened when mysterious videotapes start arriving on their doorstep. The tapes show surveillance of their home with a static camera. At first they seem relatively harmless, but later videos are accompanied by crude, disturbing crayon drawings. Little by little, the tapes bring out disquieting information about events in Georges' childhood. Georges does not want to discuss his childhood problems, even with his wife.

Because the tapes do not contain an open threat, the police refuse to help Georges and Anne. One videotape leads Georges to the modest HLM apartment of an Algerian man named Majid (Maurice Bénichou), whose parents worked for Georges' family when they were young. When his parents were killed in the Paris massacre of 1961, Majid temporarily lived with Georges and his parents, who intended to adopt Majid into their family. Georges confronts Majid about the tapes, but he denies involvement. Throughout the film, Georges has guilty flashbacks and nightmares depicting a young Majid spitting blood, cutting off a rooster's head, and menacing him. Anne suspects there is more to know about Georges' relationship with Majid.

One day Pierrot does not come home from school and Anne cannot locate him. Georges and Anne suspect that Majid has kidnapped him. They go to the police, who accompany Georges to Majid's apartment. There they find Majid's son (Walid Afkir), and father and son both deny knowledge of the kidnapping. The police arrest them but they are released the next morning. On the same morning, Pierrot returns. He had spent the night at a friend's house without telling anyone. When Anne scolds Pierrot, he accuses her of committing adultery. In an earlier scene, we saw a distressed Anne permitting a few romantic caresses from Pierre, a family friend.

Majid asks Georges to come to his apartment and Georges does. After stating that he had nothing to do with the tapes, Majid says he wanted Georges to be present, and then kills himself by slashing his own throat. When Georges returns home, Anne insists he tell her what he did to Majid so many years ago. When he was six years old, he says, he told his parents that Majid spat blood, but they did not believe him. He then tricked Majid into cutting off the head of a rooster, and told his parents that he did this to scare him. This prompted his parents to send Majid to an orphanage.

After Majid's suicide, his son confronts Georges. He denies involvement with the tapes, while Georges denies responsibility for his father's unhappiness and death. Majid's son says he only wanted to know how Georges felt about being the cause of his father's death, and Georges angrily leaves. Georges goes home, takes two sleeping pills, and goes to bed.

The scene returns to Georges' childhood home. A vintage model car arrives and the occupants enter the house, returning momentarily with a boy (Majid?) who protests, resists getting in the car. He runs and must be caught by the man, physically overcome, and forced into the back seat with the woman. The man drives the car away.

In a postscript under the credits, Pierrot and Majid's son meet in front of Pierrot's school, though their conversation cannot be heard. The camera does not move.

Cast

Actor Role
Juliette Binoche Anne Laurent
Daniel Auteuil Georges Laurent
Maurice Bénichou Majid
Annie Girardot La mère de Georges (Georges' mother)
Lester Makedonsky Pierrot Laurent
Bernard Le Coq Le rédacteur en chef (Georges' boss)
Walid Afkir Le fils de Majid (Majid's son)
Daniel Duval Pierre
Nathalie Richard Mathilde
Denis Podalydès Yvon
Aïssa Maïga Chantal
Caroline Baehr La mère de François (François' mother)
Christian Benedetti Le père de Georges jeune (young Georges' father)
Philippe Besson L'invité de l'émission télé (TV guest)
Loic Brabant Le policier #2 (Police officer #2)

Filming Locations

Paris and Vienna

Reception

Caché premiered at the 2005 Cannes film festival. The film won numerous awards during its successful run at the festival, including the prize for Best Director, and the FIPRESCI prize.

Caché also won the Prize of the Ecumenical Jury. The film won several awards at the 2005 European Film Awards, including Best European Film, Best European Director, Best European Actor (Daniel Auteuil), and Best European Editor.

Positive reviews

  • Deborah Young from Variety stated, "The tight pacing of Michael Hudecek and Nadine Muse's editing keeps the story fluid and focused but very concise, commanding audience attention from start to finish."
  • Kirk Honeycutt at the The Hollywood Reporter stated, "In unraveling a nearly forgotten secret in the life of a self-satisfied and smug French intellectual, Haneke probes deeply into issues involving guilt, communication and willful amnesia."
  • Roger Ebert from Chicago Sun-Times wrote, "...a perplexing and disturbing film of great effect, showing how comfortable lives are disrupted by the simple fact that someone is watching."
  • The Guardian's Peter Bradshaw gave the film five out of five stars, describing it as "one of the great films of this decade" and "Haneke's masterpiece".

Negative reviews

  • Andrew Sarris from the New York Observer stated, "Too much of the plot's machinery turns out to be a metaphorical mechanism by which to pin the tail of colonial guilt on Georges and the rest of us smug bourgeois donkeys."
  • Mick LaSalle of the San Francisco Chronicle found the film fraudulent "in its style, technique and ultimate message," and that the director does "everything he can to bore the audience, and the audience tries not to fall asleep or flee the theater," making the film an "exercise in pain".

How to Use an HDV (High Definition Video) Camera

Are you ready to jump in the the world of high definition via the affordable but powerful HDV cameras? Do you have experience shooting in prosumer DV (digital video)? Read on!

Steps

  • Decide on your frame rate, scan and resolution: Shooting in progressive scan (noted with a "P") will give you cinematic look while interlaced (noted with an "i") will give it a more "real" and "raw" feeling (crucial for news gathering). If you're looking for a film look you also want to consider shooting in a 24 frames per second to further sell the look. HDV can go as high as 1920×1080 interlaced and 1280x720 progressive resolutions.
    • these parameters are usually stated:[horizontal res.][scan][frame/field rate] (ex: 720p24)
  • Practice makes perfect: use many of the same techniques you've learned while shooting on prosumer DV cameras, but keep in mind that focus has never been more critical.
  • Use a tad more light than normal.
  • Realize that unless you're planning on editing uncompressed, the amount of space HDV takes up is almost equal to DV, around 10 to 13 gb for an hour of video.
  • If you're going to cut on Final Cut Pro, you'll need a capture card (Black Magic Design, AJA, etc.) and an A/D, D/A analog-to-digital (and back again) audio converter (Flying Cow, etc.) to view and hear the HDV while you edit.
  • Always shoot and edit with an HD display--an SD display has a different colorspace (601) than HDV (709), so watch out, or else colors will look different.

  • Tips

    • Use the focus assists found in the Sony and other HDV prosumer cameras--they can help out quite a bit.
    • Under-exposing slightly (vs. over-exposing slightly in DV) and correcting in post-production won't hurt.
    • Be mindful that HDV has between 2.5 and 4.5 times the resolution of DV. That means take care with set design (cheap sets look really cheap in HD) and makeup (your subjects will need to get familiar with it--flaws show loud and clear).
    • Since HDV is compressed via mpeg2-ts (transport stream) and is long GOP (I frame every 15 frames), be careful of video that changes motion rapidly. If shooting fast action, try a higher shutter speed of 1/250 or so.
    • Don't expect to go out tomorrow and start shooting--HDV takes a bit of practice. Again, it's focus critical!
    • Set the shutter to match your frame (or field) rate.
    • A computer display can make a quick HD monitor.


    Warnings

    • Understand HDV and its strengths and weaknesses, which all cameras have. Know them and you'll be a better shooter.
    • Don't shoot in auto anything--get used to shooting in manual.
    • Though the audio isn't 100% "CD quality," it's still very good. But make sure audio levels are recorded robustly, or else low audio raised in post-production will sound lousy.
    • Use glass filters only--plastic will be seen!


    Things You'll Need

    • A good HDV prosumer camera.
    • A good, solid tripod--don't skimp!
    • A good set of glass filters. Be creative and practical.
    • A good HDTV, be it LCD or whatever is good for you. 720p minimum.
    • A good microphone and headphones.
    • Any accessories you may choose, including drives to record to, matte boxes, etc.
    • A good non-linear edit system, like Final Cut Pro, Sony Vegas, Avid, Premiere, etc.
    • For some of the PC-based systems, use CineForm's Intermediate Codec. HDV isn't easy to edit.
    • Passion--Shoot great video!


    JVC GZ-MG130 Hybrid Hard Drive Digital Video Camera

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